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Also the exaggeration of Negroid bass forms, based on the broken tritone. Desde que a ouviu cant O Cowboy Bebop Quem diria que o Bebop, esti In jazz terminology, the “boogie-woogie,” “honky tonk” or “barrelhouse” style. These regulations constitute a transitory measure born of practical considerations and which must of necessity precede a general revival. In jazz terminology, the adoption of the “growl” on brass wind instruments, and also the “scratchy” clarinet tone. There is no objection to providing a chorus with percussion solos in places where a break could also come, but at not more than three such places. Use of very primitive instruments such as the Cuban Negro “quijada” jaw of a donkey and the North American Negro “washboard.

It is forbidden to play in public music which possesses to a marked degree characteristic features of the method of improvisation, execution, composition and arrangement adopted by Negroes and colored people. E de que trata este filme? In jazz terminology, the use of “hot” intonations. Also the use of any intentional instrumentalization of the singing voice by substituting senseless syllables for the words in the text by “metalizing” the voice. The adoption in Negro fashion of short motifs of exaggerated pitch and rhythm, repeated more than three times without interruption by a solo instrument or soloist , or more than sixteen times in succession without interruption by a group of instruments played by a band. Quem nunca “pecou” que atire a primeira pedra The so-called “tone color” mutes may, however, be used. Exceptions may Be permitted where such music is intended for a strictly scientific or strictly educational purpose and where such music is interpreted by persons having two or more Negroid or Negritic grandparents.

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There is no objection to providing a chorus with percussion solos in salss where a break could also come, but at not more than three such places. In jazz terminology, the “boogie-woogie,” “honky tonk” or “barrelhouse” style. Desde que a ouviu cant The adoption in Negro dee of short motifs of exaggerated pitch and rhythm, repeated more than three times without interruption by a solo instrument or soloistor more than sixteen times in succession without interruption by a group of instruments played by a band.

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Likewise forbidden, in the melody, is any melody formed in the manner characteristic of Negro players, and which can be unmistakably recognized. O selo de Oscar Peterson Em Novembro do ano Also the use in Negro fashion of harshly timbered and harshly dynamic intonations unless already described. In jazz terminology, so-called “scat” singing and the vocal imitation of brass wind instruments.

Also the exaggeration of Negroid bass forms, based on the broken tritone. These regulations constitute a transitory measure born of practical considerations and which must of necessity precede a general revival. Belonging to a Negro race. E de que trata este filme? In the wider sense of the term, the short-statured, curly or frizzy-haired, dark-skinned inhabitants of Southeastern Asia, Melanesia and Central Africa.

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O Cowboy Bebop Quem diria que o Bebop, esti In jazz terminology, the use of “hot” intonations. It is forbidden in publications, reports, programs, printed or verbal announcements, etc.: In jazz terminology, use of “plungers” and “Wah Wah” dampers. Exceptions may Be permitted where such music is intended for a strictly scientific or strictly educational purpose and where such music is interpreted by persons having two or more Negroid or Negritic grandparents.

In jazz terminology, the adoption of the “growl” on brass wind instruments, and also the “scratchy” clarinet tone.

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Kubrick was a jazzmen? Also the playing in Negro fashion of long, drawn-out percussion solos or an imitation thereof for more than two or four three-time beats, more frequently than three times or twice in the course of 32 successive beats in a complete interpretation. In jazz terminology, the use of the long drawn-out “off beat” effect. The so-called “tone color” mutes may, however, be used. Use of very primitive instruments such as the Cuban Negro “quijada” jaw of a donkey and the North American Negro “washboard.

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Also the use of any intentional instrumentalization of the singing voice by substituting senseless syllables for the words in the text by “metalizing” the voice. In jazz terminology, “stop choruses” by percussion instruments, except brass cymbals.

Quem nunca “pecou” que atire a primeira pedra Also the use in Negro fashion of dampers on brass and woodwind instruments in which the formation of the tone is achieved in solo items with more than the normal pressure. It is forbidden to play in public music which possesses to a marked degree characteristic features of the method of improvisation, execution, composition and arrangement adopted by Negroes and colored people.

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In jazz terminology, any adoption of “licks” and “riffs” repeated more than three times in succession by a fkz or more than sixteen times for one section or for two or more sections. In jazz terminology, the effects known as “dinge,” “smear” and “whip.

This does not apply to saxophones or trombones. O filme pode ser visto nas salas Lusomundo: Dee Dee Bridgewater em Porto Covo?